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  • Compact Disc (CD) + Digital Album

    LCLX is a limited edition of 150, with cloth and heavy paper inserts, both hand-stamped and assembled by the artists.

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    edition of 150 
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1.
LCLX 15:43
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2.
Ununbium 01:24
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3.
Ununhexium 05:03
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4.
Ununpentium 02:13
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5.
Ununquadium 10:17
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6.
Ununtrium 01:28
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about

About LCLX

Meant to both reflect and create a moment in time and place, the piece LCLX was made with remastered and resequenced versions of the same recordings Keller and O’Neill made for their first performance together, at the 2015 NMASS Festival. The source recordings were made with acoustic and electromagnetic microphone techniques at Charles Alan Wright Intramural Field in Austin, Texas. The many ambient hums of the giant lights known to blind the neighborhood, as well as interactions with neighbors and the space, are very evident in the final piece.

About Ununbium/et al

Created from urban, pastoral and electromagnetic field recordings, this piece or pieces refer to states of stasis and change in a rapidly changing urban environment. In such places it’s often difficult to ascertain for the observer what part of the process they are engaged.

credits

released November 15, 2017

Alex Keller and Sean O’Neill have collaborated in performance and installation pieces since 2015. Using field recordings, vintage telephone test equipment, magnetic oscillators, light and space, their work has addressed the agents and artifacts of change in the urban and acoustic realms.
In 2017, they released an LP called Kruos on the Elevator Bath label, about which Creaig Dunton from Brainwashed wrote "...a complex, nuanced work of sound art, conjured up from some rather rudimentary sources, largely just field recordings and a telephone test synthesizer. It is a bit of a difficult, unsettling experience at times, but a strong one nonetheless."
Alex Keller is an audio artist, sound designer, curator and teacher based in Austin, Texas. His engagement with performance, installation, and recording is an outgrowth of his interest in architecture, language, abstraction and music.
Sean O’Neill is a multi-media artist, who explores both the visible light spectrum and the audible frequency range to determine who they influence our lived environments, and vice versa; he has a stated interest in how perception shapes the dynamics of spatiality.

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mimeomeme Seattle, Washington

Mimeomeme disseminates unusual sound art made by an eclectic collective of artists involved with phonography, no- and low- fidelity recordings, raw digital data, plunderphonics, primitive analog synthesis, noise, infrasound, and tape cut-ups as well as other oblique, not-yet-classified sonic epiphenomena. ... more

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